An absorbing recital of English piano music, from the acclaimed Schubert specialist Franzisca Lee on the Capriccio label, is bookended by two, great 1st Sonatas: Tippett’s coming-of-age breakthrough and Bax’s Russian-inspired confessional dominate her programme, which also includes substantial works by Britten, Bridge and Ireland. Christopher Webber reviews…
Continue reading →If you are looking for a perfect stocking-stuffer for your music-loving friend who also has a liking for British song and composers, then I’ve got the perfect suggestion for you. Bass-Baritone Timothy Dickinson and pianist Duncan Honeybourne have combined their considerable talents to create a gorgeous disc of yuletide songs by British composers that features some well-known favorites alongside a few rarities including a selection of little-known carol arrangements by Arnold Bax.
Continue reading →British Bass-Baritone Timothy Dickinson is well known from his recitals across the UK to his operatic roles at Glyndebourne, Scottish Opera, Longborough and elsewhere. He has toured internationally with Silent Opera and has also been a regular guest at the St Endellion Festivals in Cornwall.
Continue reading →A personal tribute by Richard R. Adams.
When in 1996 I created the Sir Arnold Bax Website, I knew immediately the first couple of luminaries I wanted to interview. Vernon (Tod) Handley was my initial preference, but the media-shy conductor turned out to be very evasive; so I pursued my second choice, who was at that time was the curator of Asian Art at the Victoria and Albert Museum in London, and who during his off hours was intensively involved in research on the life and music of Sir Arnold Bax.
Continue reading →The Monthly Musical Record (September 1915, p.259f) critic reviewing the score of Apple-Blossom Time, suggests that ‘The art of Mr Bax is a correlative of the characteristic canvas work of Mr E.W. Hornel’. This is an interesting comparison. Edward Atkinson Hornel (1864–1933) was an Australian-born artist who moved to Kirkcudbright in Scotland. He specialised in Celtic and Japanese imagery – and pictures of orchards. The reviewer continues by noting that ‘summer happiness, trees in full blossom, happy carefree childhood, rich luxurious natural setting, all appear in the music of Bax as clearly as they are seen in the pictures of Hornel.’ As to the musical content of Apple-Blossom Time, it is noted that ‘The textures, the vivid lines, the almost kaleidoscopic colouring clearly defined yet all blended in a subtle way by exquisite mastery of mood’ also suggests the work of Hornel.
Continue reading →Since first hearing Arnold Bax’s A Northern Ballad in the early 1970’s, I have felt that it is underappreciated. The conventional critique of this tone poem places the ‘plot’ or the ‘action’ in the Highlands of Scotland. Nevertheless, as Lewis Foreman has pointed out (Lyrita Sleeve Notes, SRCS 62) ‘the programmatic origins of the work are not admitted in the score.’ The only clue is provided in Bax’s short note included in the premiere’s programme booklet and subsequently reprinted in the Royal Philharmonic Society Programme (3 December 1931). It was latterly printed in Parlett (1999):
Continue reading →THE exciting news that internationally renowned British composer, Sir Arnold Bax, is to be officially recognised in Scotland will be welcomed by BMS members and all classical music enthusiasts.
Continue reading →Richard Masters gives the US premiere and additional US performances of Sir Arnold Bax’s Sonata in E-flat (The sonata Bax later revised to become his First Symphony). Also on his program includes keyboard works by Orlando Gibbons, Brahms Six Pieces … Continue reading →
Arnold Bax spent at least two months on the Skarzhinska Estate at Kruglik, near Lubny in Ukraine between May and July 1910. Alan Sutton recently visited Lubny and Kruglik and found some interesting historical background to the Skarzhinska family and to pre-revolutionary Lubny, impressions of which Bax took back with him and incorporated into later works.
“Fair and smiling is the Ukrainian land, a fecund Slavonic Demeter”, wrote Bax at the opening of this section in “Farewell, My Youth”. Ukraine was known as the breadbasket of Russia during the last years of the Tsars, and to that extent compares well in modern times with agriculture being the one sector to have prospered in recent years. In other respects, the 20th century has not been kind to Lubny, and the Skarzhinska Estate itself has disappeared: nor was I able to find precisely where it stood. However my visit did uncover some fascinating history about Natalia Skarzhinska’s family, and other pictures and impressions which will be of interest to those interested in Arnold Bax and his works.
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